Consider Adorno’s famous claim, “To write poetry after Auschwitz is barbaric”, in relation to Anthony Hecht’s “More Light! More Light!”, Dan Pagis’s “Written in Pencil in the Sealed Railway Car”, and/or any poetic pieces in Charlotte Delbo’s Auschwitz and After.
– Do these pieces validate or invalidate Adorno’s claims? Why? Do they validate or invalidate in similar or dissimilar ways?
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