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I will also attach a PDF version for a clearer view. I would just like some help so that I can study, please. Been stuck at this for a while. Harmonic Analysis As you study, answer the following. 1. What major or minor key is this excerpt written in? 2. What is the meter? Additionally, write the appropriate time signature. 3. Provide solfege syllables for the melody (the very top line). As a reminder, in class we use movable do. 4. For all the triads after the first double bar, provide roman numerals with figured bass numbers that accurately reflect their roots, qualities, and inversions. The roman numerals for the triads before the first double bar are provided for you as an example. *** REMINDER: Remember, root position triads do not require a figured bass number*** —————————————————————————————————————————————- STUDY SHEET PART 2 Rhythmic Analysis As you study, answer the following. 1. What is the meter? 2. Look at the second beat of measure two. What is the name of that group of two eighth notes with a two on the top? Hint: it divides a group of what normally would be three subdivisions evenly into two. 3. Look at measure three. It is beamed as if it is in a different meter from the rest of the fragment. What is this called? 4. What alternative meter is measure three written in? 5. Write out the consecutive counts. Use parenthesis for counts that are held over. In measure three, write out the consecutive counts for the alternative meter it is implying. ———————————————————————————————————————————— STUDY SHEET PART 3. Harmonization As you study, answer the following. 1. What is the key of the excerpt? 2. What is the meter of the excerpt? 3. What is that curved line on top of the triplet in the first beat of bar 5? What does it tell us about how to perform notes under it? 4. Harmonize with triads in the left hand according to the roman numerals provided. 5. Extra study question: Space at least one of the triads in open position.
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